History

Padmanabhaswamy Temple is located in Thiruvananthapuram, Kerala, India. The temple is built in an intricate fusion of the indigenous Kerala style and the Tamil style (kovil) of architecture associated with the temples located in the neighbouring state of Tamil Nadu, featuring high walls, and a 16th-century Gopuram. While the Moolasthanam of the temple is the Ananthapuram Temple in Kumbala in Kasargod District, architecturally to some extent, the temple is a replica of the Adikesava Perumal temple located in Thiruvattar, Kanyakumari District.

The principal deity Vishnu is enshrined in the “Anantha Shayanam” posture, the eternal yogic sleep on the serpent Adisheshan. Sree Padmanabhaswamy is the tutelary deity of the royal family of Travancore. The titular Maharaja of Travancore Moolam Thirunal Rama Varma is the trustee of the temple. In line with the Temple Entry Proclamation, only those who profess the Hindu faith are permitted entry to the temple and devotees have to strictly follow the dress code. The name of the city of Thiruvananthapuram in Malayalam translates to “The City of Lord Ananta”, referring to the deity of Padmanabhaswamy Temple…
Several extant Hindu Texts like the Brahma Purana, Matsya Purana, Varaha Purana, Skanda Purana, Padma Purana, Vayu Purana, Bhagavata Purana and the Mahabharata mention this shrine. According to the Bhagavata, Lord Balarama visited Phalgunam (more commonly known as Thiruvananthapuram), took bath in Panchapsaras (Padmateertham) and made a gift of ten thousand cows to holy men  Though the sannidhyam of Lord Padmanabha has always been present in the holy land of Thiruvananthapuram making it a pilgrim spot even during the time of Balarama, the Temple for the Lord came up much later. The Temple has been referred to in the (only recorded) Sangam Period of literature between 500 B.C and 300 A.D several times. Many conventional historians and scholars are of the opinion that one of the names that the Temple had – “The Golden Temple” – literally was in cognizance of the fact that the Temple was already unimaginably wealthy by that point. Many extant pieces of Sangam Tamil literature and poetry, and even the later works of Ninth Century poet-saints like Nammalwar, refer to the Temple and even the city as having walls of pure gold. At some places, both the Temple and the entire city are often eulogized even as being made of gold, and the Temple as Heaven.

The temple is one of the 108 principal Divya Desams (“Holy Abodes”) in Vaishnavism, and is glorified in the Divya Prabandha. The Divya Prabandha glorifies this shrine as being among the 13 Divya Desam in Malai Nadu (corresponding to present-day Kerala and some adjoining areas). The 8th century Alvar Nammalvar sang the glories of Padmanabha. The Ananthapuram Temple in Kasargod is believed to be the ‘Moolasthanam’ of the Temple.
The sage Vilvamangalathu Swamiyar, who resided near Ananthapuram Temple in Kasargod District, prayed to Lord Vishnu for his darshan or “auspicious sight”. The Lord is believed to have come in the guise of a little boy who was mischievous. The boy defiled the Idol which was kept for Puja. The sage became enraged at this and chased away the boy, who disappeared. After a long search, when he was walking on the banks of Arabian Sea, he heard a pulaya lady threatening her child that she would throw him in Ananthankadu. The moment the Swami heard the word Ananthankadu he was delighted. He proceeded to Ananthankadu based on the directions of the lady of whom he enquired. The Sage reached Ananthankadu searching for the boy. There he saw the boy merging into an Iluppa tree (Indian Butter Tree). The tree fell down and became Anantha Sayana Moorti (Vishnu reclining on the celestial snake Anantha). But the edifice that the Lord assumed was of an extraordinarily large size, with His head at Thiruvallom, navel at Thiruvananthapuram, and lotus-feet at Thrippadapuram (Thrippappur), making him some eight miles in length. The Sage requested the Lord to shrink to a smaller proportion that would be thrice the length of his staff. Immediately the Lord shrank to the form of the Idol that is seen at present in the Temple. But even then many Iluppa trees obstructed a complete vision of the Lord. The Sage saw the Lord in three parts – thirumukham, thiruvudal and thrippadam. Swami prayed to Padmanabha to be forgiven. The Swami offered Rice Kanji and Uppumanga (salted mango pieces) in a coconut shell to the Perumal which he obtained from the pulaya woman. The spot where the Sage had darsan of the Lord belonged to Koopakkara Potti and Karuva Potti. With the assistance of the reigning King and some Brahmin households a Temple was constructed. Koopakkara Potti was made the Tantri of the Temple. The Ananthankadu Nagaraja Temple still exists to the north west of the Padmanabhaswamy Temple. The Samadhi (final resting place) of the Swamiyar exists to the west of the Padmanabha Temple. A Krishna Temple was built over the Samadhi. This Temple, known as Vilvamangalam Sri Krishna Swami Temple, belongs to Thrissur Naduvil Madhom.
There are many festivals related to this temple. The major festivals are bi-annual. The Alpashy festival which is in October/November and the Panguni festival which is in Tamil month Panguni, March/April, lasts for 10 days each. On the ninth day the Maharajah of Travancore, in his capacity as Thrippappoor Mooppan, escorts the deities to the vettakkalam for Pallivetta. Centuries back, the Pallivetta procession was said to pass through Kaithamukku, Kuthiravattom (Kunnumpuram), Pazhaya Sreekanteswaram and Putharikkandam. The festivals culminate with the Aarat (holy bath) procession to the Shankumugham Beach. The word Aarat refers to the purificatory immersion of the deities of the temple in sea. This event takes place in the evening. The Maharajah of Travancore escorts the Aarat procession on foot. The festival idols “Utsava Vigrahas” of Padmanabhaswamy, Narasimha Moorthi and Krishna Swami are given a ritual bath in the sea, after the prescribed pujas. After this ceremony, the idols are taken back to the temple in a procession that is lit by traditional torches, marking the conclusion of the festival.
A major annual festival related to Padmanabha temple is the Navaratri festival. The idols of Saraswati Amman, Mun Uditha Nangai (Parasakti who appeared before Saraswati, Lakshmi and Parvati to help them identify their husbands who had been transformed into infants by the power of chastity of Anasuya) and Kumara Swami (Murugan) are brought to the Kuthira malika palace in front of Padmanabha temple as a procession. This festival lasts for 9 days. The famous Swathi music festival is held every year during this festival.
The biggest festival in this temple is laksha deepam, which means hundred thousand (or one lakh) lamps. This festival is unique and commences once in 6 years. Prior to this festival, chanting of prayers and recitation of three vedas is done for 56 days (Murajapam). On the last day, hundred thousand oil lamps are lit in and around the temple premises. The next laksha deepam is slated on January 2020